2019 – Week 7 Playlist: Motion Sickness

Kicking off this new week is Sunflower Bean. If the name rings a bell, it could be that you remember their song “I Was a Fool” was included on my Best of 2018 playlist. It could also be the fact that just last week they were announced as the artist in the very tiny print on a large tour this summer that sees Beck and Cage the Elephant co-headlining. The tour stops at Budwieser Stage on August 11th, but If you’d like to catch a bit more than what’s likely to be a short 15-20 minute set, the good news is that you’ll have the chance to do that in May. They’ll be playing a proper set at Lee’s Palace for Canadian Music Fest. Tickets run $22.00 + fees, and can be purchased HERE. As for the Budweiser Stage show, I’ll get back to that later.

Palindromic Seattle band Tacocat has announced that they’ve signed a record deal with Sub Pop Records. Their fourth album This Mess is a Place will be released on May 3rd, and along with the announcement of the album, they’ve released first single “Grains of Salt”. The band will be doing a U.S. tour in May/June, though there are no stops north of the border at the moment. Guess we’ll just have to wait for the next leg of tour dates to be announced, but in the meantime the album can be pre-ordered HERE.

A couple of weeks ago, I included “Dylan Thomas” on my weekly playlist, off of Phoebe Bridgers‘ joint album with Conor Oberst as Better Oblivion Community Center. Early last week, Phoebe was cited in a NY Times article exposing Ryan Adams for sexual misconduct, “dangling success” in front of numerous young women, and being abusive/manipulative in his relationships (including his marriage with Mandy Moore). By now, you have likely heard the story, but if not here you go.

I wanted to include Phoebe’s song “Motion Sickness” this week because she has specifically stated the song is about Adams. I put it on the list for anyone who hasn’t heard it that might stumble on this blog, so that you might have a chance to listen to what she is saying. I have been a fan of Adams for almost 20 years, but as a person, I have no trouble putting any type of fandom aside here. What Adams did was wrong, plain and simple, and I can’t really see myself listening to any of his music anymore in light of the information that has surfaced.

As a man it’s important to listen, and to believe women because even though it feels like there has been some progress in the past few years, we are still living in a patriarchal society. It takes a lot of courage for these women to come forth and face the inevitable backlash from those that, bluntly put, hate women and want to uphold the patriarchy. That’s why I also wanted to include this statement from Phoebe’s twitter feed.

I couldn’t agree more with her statement, and as a person it is important to remember that if someone you know is saying or doing something unacceptable, it’s up to us to call them out on it. As a male, I just want to say this stuff is deeply rooted through generations of reinforcement, so just remember not to be offended if someone calls you out for something. You may not be aware you’ve said something wrong, but that doesn’t make it right, and the only way to improve is to listen, and understand, when someone calls you out for something.

Moving back to newer music, last week Rain Phoenix released a double A side called Time Gone. The Double A side features her solo debut “Time is a Killer” (featuring Michael Stipe, of R.E.M.), as well as two previously unreleased tracks from her band (with brother River): Aleka’s Attic. This year marks the 25th anniversary of River’s death, and Rain wanted to honour her brother’s joy of music by releasing the tracks.

From one child actor to another, Jenny Lewis announced recently that she’ll be opening for Death Cab for Cutie on their North American tour, including their stop at Echo Beach. Her new album On the Line will be released on March 22nd, via Warner Bros. Records, and last week she released the second single “Heads Gonna Roll”.

Bayonne‘s new album, Drastic Measures is coming out this Friday, via Mom+Pop Music. Along with the album, comes a tour which will include a stop at The Monarch Tavern. Tickets are $15 + fees, and can be purchased at Rotate/Soundscapes, or online at Ticketfly.

If you are reading this, it’s likely that you are not at The Sony Centre for tonight’s Beirut concert. The band released their new album Gallipoli a couple of weeks ago on February 1st, and are coming through town in support, so looks like I was pretty bad at getting this news to you in time. Sorry about that.

Beirut @ Toronto Urban Roots Festival 2014. Shot for Beyond the Watch & the festival. Full set not available online anymore.

To make that up, here’s some extremely advance news. Mini Mansions have released the first single, “Gummy Bear” from their forthcoming album Guy Walks Into A Bar…, which is scheduled for release July 26th, via Fiction Records. No tour dates announced here yet, so keep an eye out for that sometime later this year.

Spellling will be releasing her new album Mazy Fly this Friday, Feb. 22nd via Sacred Bones. You can file that announcement under “Just enough notice”.

Also under “enough notice”, last week the trailer for Danny Boyle’s new movie Yesterday was released. The film stars newcomer Himish Patel and puts forth the question: What would happen if you woke up one day and suddenly you were the only person with any recollection of The Beatles? The film will be released June 28th, via Universal Pictures.

I wanted to mention this movie, so I could to tie it to the collateral damage of Ryan Adams’ actions, where young female musicians have ended up quitting because of men manipulating/abusing them, and dangling success. Just think of all of the talent that could have made it, that gave up because of men abusing their position of power. In thinking about this, I almost wonder how different this movie would look/be received if it was told from the point of view of a woman. Just something to think about, and why I have decided to choose Regina Spektor‘s cover of “While My Guitar Gently Weeps” for this week’s playlist.

Lydia Ainsworth‘s new album Phantom Forest is scheduled for release May 10th. No tour at the moment, but keep an eye out for that in the near future.

Mike Krol released his album Power Chords on Merge Records last month, and his supporting tour started over the weekend. He’ll be making a stop in Toronto at The Garrison on March 2nd. Tickets can be purchased at Rotate/Soundscapes for $13.50 + fees.

Earlier in the post, I mentioned that Sunflower Bean would be opening for Cage the Elephant and Beck, but neglected to mention the fact that Spoon(!!!) will also be on that bill. I also forgot to mention that the tickets are on sale now, starting at $36.50 + fees for lawns, and can be purchased HERE. So there, now you have all of the details.

Spoon @ Dundas Square. North by Northeast 2014. Originally shot for Tunes in TO v1

Delicate Steve has a new album on the way. It’s called Till I Burn Up, and is scheduled for release on March 1st. In support of that album, he’ll be making a stop at The Baby G on April 27th.  Tickets are $15.50 + fees and can be purchased at the usual record establishments.

Finally, I just wanted to take a moment to acknowledge the passing of publicist Darryl Weeks. When I was first starting Tunes in TO, Darryl was one of the first publicists that I connected with. I remember wanting to cover Junior Boys and Woodhands at Lee’s Palace, and he was extremely helpful considering I was still just figuring out what I was doing. In the years following, he was always very accommodating with any requests that I had with the site, and it’s sad to see him go so suddenly. I would just like to offer my deepest condolences to Darryl’s family, close friends and colleagues.


Notable concerts this week
Note: * indicates a show I may be taking photos at

02/18 – Adrianne Lenker @ Longboat Hall
02/18 – Joe Jackson @ The Danforth Music Hall
02/18 – Bob Mould @ The Phoenix
02/18 – Dropkick Murphys @ Rebel
02/19 – Beirut @ The Sony Centre
02/19 – YG @ Rebel
02/19 – Royal Trux @ Lee’s Palace
02/20 – Action Bronson @ The Danforth Music Hall
02/20 – Cherry Glazerr @ Velvet Underground
02/20 – Corrosion of Conformity @ The Opera House
02/20 – Meg Mac @ The Rivoli
02/21 – Neil Morse Band @ The Opera House
02/21 – Deerhunter @ The Danforth Music Hall
02/21 – Zaki Ibrahim @ The Great Hall
02/22 – Watsky @ The Danforth Music Hall
02/22 – Erin Costello @ The Dakota Tavern
02/22 – Le Butcherettes @ The Drake Hotel
02/23 – The Trews @ The Danforth Music Hall
02/23 – MNEK @ Velvet Underground
02/23 – Monster Truck @ The Opera House
02/23 – Wolf Eyes w/ Mark Morgan @ The Garrison
02/23 – Shallow North Dakota @ Hard Luck Bar
02/24 – Chrome Sparks @ Velvet Underground
02/24 – It Looks Sad @ Baby G
02/24 – Bhad Bhabie @ The Phoenix Concert Theatre

If you have an upcoming event that you would like included in the weekly list, please email me at ryan@tunesinto.ca.

2019 – Week 3 Playlist: Hold That Thought

Every Monday morning, you can find my weekly playlist here. Feel free to follow on Spotify, or let me know what you think. If you’d like to have your music considered, please email me at ryan@tunesinto.ca.

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Kicking off this week, I wanted to lead some good news for anyone reading who’s been unable to buy advance tickets for some of the shows I have posted about, due to them being sold out before my posts. On Friday, Collective Concerts announced that Death Cab For Cutie will be playing a show on June 20th @ Echo Beach, with support from Jenny Lewis. Tickets go on sale this coming Friday, January 25th at Ticketmaster, but if you can’t wait until then there are some pre-sales being done by Spotify, Collective Concerts and Indie88 that you could probably sign up for. Or you can always wait until Friday and go pick your ticket up at Soundscapes and Rotate This, and check out their Death Cab, Jenny Lewis or Postal Service vinyl offerings to prepare yourself for what’s sure to be a lovely evening of music.

Here’s a photo I took of Ben Gibbard, frontman of DC4C, when he played solo at The Danforth Music Hall in October 2012.

A couple of weeks ago, I showcased Sam Evian on the playlist, with his song “IDGAF”. This is just a reminder that he’ll be opening for Cass McCombs at The Horseshoe Tavern on March 11th. If hearing him didn’t convince you to pick up tickets, maybe Cass’ new song “The Great Pixley Train Robbery”, off of his forthcoming album Tip of the Sphere (out February 8th via ANTI- Records), will help. Seriously, you’re not going to get a much better double bill for $17.50.

Then again, if you’re into female-fronted, guitar-driven 90s rock sounds, Julia Jacklin and Black Belt Eagle Scout could be more up your alley. Julia will be playing songs from her upcoming album, Crushing, which will be release February 22nd, while Black Belt Eagle Scout is touring their 2018 album, Mother of My Children. They’ll be making a stop at The Horseshoe Tavern on April 28th, and this one only costs $12.00 and should be worth every penny.

Notice how the prices keep dropping! Continuing on that trend, Dan Mangan announced that he’ll be stopping in to Tiny Record Shop on January 30th for a FREE in-store performance at 6:00pm. I haven’t been to their new location yet, but can only assume they’re a little tight on space still, so you might want to get there early for that one, especially considering that his show the next night at The Danforth Music Hall is sold out.

Dan Mangan @ Field Trip Festival 2013

Speaking of sold out shows at The Danforth, Toronto’s PUP have not one, but two sold out shows there on June 7th & 8th. They’ll be playing in support of their forthcoming album Morbid Stuff, which is set for release on the band’s brand new label Little Dipper, in partnership with Rise Records/BMG on April 5.

Since the release of Gemini in 2010, Wild Nothing has been one of the artists driving the dream pop genre, and they haven’t altered the formula too much in the albums since, including last year’s release, Indigo. One song cut from the release of that album, “Blue Wings” was released last week as a new single and though it does sound like a Wild Nothing song, I also can’t help but feel like it has a bit of a Cut Copy sound to it – which I like.

Nothing new on the Cut Copy front as far as music or a tour, but their fellow countrymen POND have announced a new album, Tasmania, which will be released March 1st on Interscope Records. The album is said to act as a sister album to 2017’s The Weather, and they will be announcing tour dates later this year – likely after the summer festival dates played by Tame Impala, who the band shares some of its members with.

None of those Tame Impala festival dates are here in Toronto, but if you want a similar sounding experience in the tighter environs of The Drake Hotel, be sure to check out Blac Rabbit when they come through town on April 2nd. Growing up in the “mecca of hip-hop”, Brooklyn, NY, identical twins Amiri and Rahiem Taylor were raised with a wider variety of musical influences, including 60s, 70s and 80s pop, funk and soul. The twins started out performing Beatles covers on the subway, and gained popularity one year ago this week when New York Nico, the “Unofficial talent scout of New York City,”  posted this video of one such performance to his 120K+ followers on Instagram. The last year has seen the group’s popularity increase, including recording a cover of The Beatles’ “Michelle” for a Gucci ad campagin, and an appearance on The Ellen Degeneres Show. Look for them to play songs from their 2017 self-produced, self-titled EP, and likely some new material, as the band plans to release their debut album Interstella in the Spring. This is definitely a chance to catch this band on the rise, so make sure to pick up your tickets at Soundscapes and Rotate for $15.00ea.

Now, as Blac Rabbit’s bio noted, Brooklyn is considered by many to be the “Mecca of Hip-hop”, and touted as the home of artists such as Notorious BIG, Jay-Z, Mos Def, Talib Kweli, ODB, Big Daddy Kane, etc… it’s hard to argue. However, when it comes to some of the all-time greats, you can’t sleep on Queens, the home of Run-DMC, LL Cool J, Nas, Chuck D (of Public Enemy), Mobb Deep, and, the subject of Hanif Abdurraqib‘s upcoming Love Letter to a Sound, a Group, and an Era, Go Ahead in the Rain: Notes to A Tribe Called Quest. I’ve been reading his collection of essays, They Can’t Kill Us Until they Kill Us, and cannot recommend it enough. I’m very eager to see how he tackles Tribe, and will be sure to pick it up on release next month. If you’re interested, be sure to pre-order Go Ahead in the Rain here: https://utpress.utexas.edu/books/abdurraqib-go-ahead-in-the-rain

Shad and DJ T-Lo @ SCENE Fest (RIP) 2007.

One documentary series that has been exploring the origins of hip-hop, and beyond, is the aptly named Hip-Hop Evolution. Hosted by Canadian Rap sensation Shad, the Peabody-winning series has done a thoroughly fantastic job of putting together a hip-hop historical timeline. It also does an effective job educating people not only on the music itself, but the socioeconomic factors surrounding the release of many of the genre’s staple songs. The four episodes that make up Season two were added on Netflix in the Fall, including the final two episodes that showcase New York artists, such as many of the aforementioned Brooklyn/Queens artists, and more.

Based on where the series is at, it may be some time before we get to hip-hop outside the United States, but Shad himself can definitely take some credit for consistently being one of the best MCs north of the border in the last 10+ years. Last year saw the release of his 5th studio album (Six if you count his album released under the moniker, Your Boy Tony Braxton) A Short Story About A War, and though it clocks in at a tight 39 mins, the dense album demands multiple listens. He finished off 2018 with two nights at The Great Hall, so it might be some time before he returns, though I wouldn’t be surprised to see his album pop up on the Polaris shortlist this year.

If you finish the eight Hip-Hop Evolution episodes, and are looking for something else on Netflix, Killer Mike (one half of Run the Jewels) has a new series called Trigger Warning With Killer Mike in which he aims to challenge the misconceptions of what it means to be black in America. I have only watched the first two episodes so far, with the first involving its host “living black” for three days. It showed how a positive thing like the end of segregation had a negative consequence on black businesses, and how difficult it is in society today to keep dollars circulating within the black community, where during segregation black people had to buy from their own communities. It ended with a strong message that in order to fight systemic racism and oppression, both black people and “allies” need to support black businesses, and each other. It definitely challenges the status quo, and I’m looking forward to checking out the rest of the episodes.

I was introduced to Killer Mike through one of my all-time favourite artists, Outkast, and there is news on both Andre 3000 and Big Boi from this week. First, it was just announced that Big Boi was added as a performer at the upcoming Superbowl Halftime show. Performing along with the previously announced Maroon 5 & Travis Scott, it at least guarantees that Atlanta’s rich hip-hop legacy is represented, seeing as that’s where the Superbowl is being held this year. Going back to They Can’t Kill Us Until The Kill Us, do yourself a favour and read his essay “The Night Prince Walked on Water”, in which he gives his account of the greatest Superbowl Halftime show ever. Seriously, just check the book out.

In other Outkast news, Andre 3000 popped up with vocals featured on the new James Blake album Assume Form, which was released on Friday. “Where’s The Catch?” is vintage 3 Stacks, with lyrics like: “Come with me, come with me, calming me down, Be chamomile, calamine lotion. Camel motion, humpin’ on the flo’ (Yeah).” The rest of Blake’s album is quite good and showcases how far he’s come as a producer since his first album in 2011. He’ll be at The Sony Centre, likely sans musical guests, on February 27th. Tickets can be picked up HERE.

Now, as far as the biggest concert announcement last week, that would be the one made by The Who, who announced a new album and tour. They’ll be at Scotiabank Arena on June 1st, and tickets aren’t cheap. That being said, The Who were once the “loudest band alive” according to the Guinness book of records, or at least according to Sam Weir from Freaks and Geeks, in the clip from below. Though only one season long, the show did an entire episode dedicated to The Who, and it is one of the most memorable. Back to The Who, their new album is still unnamed, but will be released later in 2019.

Also announcing a new album last week was Brian Jonestown Massacre. The new album will be self-titled, and released on March 15th (via Anton Newcombe’s A Recordings), but for now “Hold That Thought” is on here because it’s one of the songs I forgot to put on my end of year playlist. What a jam!

For this week’s cover, “Bonnie” Prince Billy‘s album I See a Darkness just turned 20 years old this past Saturday. Released on January 19, 1999, the album was received very positively, with Pitchfork ranking it their ninth best album of the 1990s, and Mojo dedeclaring it the twentieth best album released during the magazine’s lifetime. The title track also caught the ear of Johnny Cash, who recorded a haunting version of the song, along with “Bonnie” Prince Billy singer Will Oldham doing backing vocals for his album American III: Solitary Man.

Rounding out the playlist this week, is Strand of Oaks (the solo indie project from Tim Showalter) who dropped an early contender for song of the year. “Weird Ways” is the lead single from his forthcoming album, Eraserland (out March 22 via Dead Oceans), and it starts out sounding like a Ryan Adams song until building into a full on sonic tour-de-force. The sound can be attributed in part to My Morning Jacket, who, unbeknownst to Showalter, booked studio time to help him record songs that he never thought would see the light of day. If the rest of the album is anywhere near as good, I’m sure we’ll see it on plenty of end of year lists. A tour has been announced through May, though there is no Toronto date as of yet. Hopefully we get the second or third leg, because this feels like something you won’t want to miss.

 


Other concerts this week
Note: * indicates a show I will be taking photos at

01/22 – Guster w/ Henry Jamison @ The Mod Club
01/22 – The End of the Ocean w/ Tides of Man @ Lee’s Palace
01/22 – The Lemon Twigs w/ Jackie Cohen @ The Phoenix Concert Theatre
01/22 – The Lil’ Smokies w/ Michigan Rattlers @ The Drake Hotel
01/23 – Mineral w/ Tancred @ Lee’s Palace
01/23 – Anika @ Velvet Underground
01/23 – MØ w/ Abra @ The Danforth Music Hall
01/23 – Juan Waters w/ Nyssa, Sunshine & The Blue Moon @ The Horseshoe Tavern
01/24 – AHI w/ Kalyna Rakel @ The Horseshoe Tavern
01/25 – Kongos @ Lee’s Palace
01/25 – The Amity Affliction w/ Senses Fail @ The Phoenix Concert Theatre
01/25 – Lee Harvey Osmond – Record Release Party @ The Horseshoe Tavern
*01/25 – Ellis w/ Sorry Girls, For Jane, Rapport & TyriqueOrDie (just added) @ The Monarch Tavern
01/26 – Little Junior w/ Good Kid @ The Horseshoe Tavern
01/26 – Daley/JMSN @ The Mod Club
01/26 – Kallitechnis w/ Do Not Push @ The Drake Hotel

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